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Poetry

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Epic and Autobiographical (A Versified Finale) An Autobiographical Narrative: 1970s 1

by Carl Halling
02/27/13
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A Perfectly Foolish Young Man I Wanted Part Two Far Beyond the Borderlands of Scotia/At the Tail End of the Goldhawk Road/The Boy from the Tail End of the Goldhawk Road 
Book Five Epic and Autobiographical (A Versified Finale) An Autobiographical Narrative: 1970s 1

That Effete Aesthete Look

 

To See You at Every Time of Day
Is a song lyric, penned in 2003,
But heavily based on one composed
Almost certainly in 1974,
And which I originally sang
In a voice I stole from Bryan Ferry,
Who'd begun his career
As a conventional Glam Rock icon,
But who by '74,
Had reinvented himself as an old-style
Crooner cum matinee idol,
And it was his eccentric version of
These Foolish Things
That was the direct inspiration
For the lyric in question,
Indeed the song as a whole.

To See You Every Time of Day

To see you in the morning
Be with you in the evening
To see you here
At every time of day
Such a simple prayer
To see you at every time of day

To hold you when you're laughing
Console you when you're crying
Take care of you
At every time of day
Such a simple prayer
To see you at every time of day

So tell me why you push me away
When I've sworn to be forever true
When I've pledged
My pure and simple heart to you?
How can you be so cruel?

To see you in the morning
Be with you in the evening
To see you here
At every time of day
Such a simple prayer
To see you at every time of day.

 

An Autobiographical Narrative: 1970s

The Athlete, the Poet and the Reprobate
Was based largely on writings
Created possibly as early as 1976.
And as such, it's been reproduced
More or less word for word,
Despite having been recently edited
And subject to basic versification.
And in its original form,
It constituted some kind of
Unfinished fantastical novel
Centred on the titular
Athlete, Poet and Reprobate,
An absurdly self-exalting
Version of the original.
For within less than two decades
Of penning these self-same words,
I'd come to saving faith in Christ Jesus.

As to novels reflecting the luxurious lifestyle
Of a bygone age,
None had been even remotely completed
By the time of writing,
And unless I'm grossly mistaken,
I was several years shy of becoming an actor.
That said, the timidity described
Is at least partially accurate,
And I did feel the need to provide
An outward show of my significance
Through a peacock display of dandyism,
Which included
Some wildly idiosyncratic behaviour,
As well as the subtle deployment of cosmetics.

The Athlete, the Poet and the Reprobate

"I can't decide," she said,
"Whether you're an aesthete
Or an athlete
A poet or a reprobate."

"Even when I'm a lout,
I'm an aesthete," he answered,
"I lure, rather than seek."

"So why do you
Need to dress up?"

"Like Ronald Firbank,
I suffer from a need
To give an outward show
Of my significance.

His lifestyle is an uncanny
Parallel
To my own young manhood

I alienated people
Through a crippling shyness
Which I disguised
With my violently idiosyncratic

Behaviour, wore cosmetics
And wrote novels
That reflected the luxurious
Lifestyle of a bygone age.

The sensation
Of never quite belonging
Lingered about me always
That's why
I became an actor.

Through heavy experiences
I have built up
A stoned wall
Resistance
Against arrogance and aloofness

I am a sophisticated cynic
With a kind heart
And a tendency towards regret."

Edited 13/8/14 2/9/14


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